The Fisch Bowl

Inside Night Of The Living Dead

Sam Fisch

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A crowded floor at Living Dead Weekend, a mic in the “fishbowl,” and one of horror’s key voices reflecting on how a scrappy regional production became a global touchstone. We sit down with Russ Streiner to unpack the 30-day, two-block shoot behind Night of the Living Dead, the trade-offs of keeping commercial clients afloat while chasing a dream project, and the nerve-wracking distributor road trip that collided with national tragedy. The result isn’t a victory lap; it’s a frank study in how timing, casting, and theme can elevate a low-budget horror film into a cultural landmark.

We dig into why Duane Jones’s lead performance mattered then and still matters now, and how the film’s stark frames, practical approach, and moral ambiguity gave it staying power far beyond its modest means. Russ shares how spontaneous moments and small line tweaks helped shape the movie’s voice, and we zoom out to compare craft elements—like the chilling role of music in The Shining—against Night’s raw, cut-to-the-bone rhythm. Along the way, we celebrate film geek moments, from Dr. Strangelove trivia to the joy of discovering that a kept stumble or an ad lib can become canon.

Through it all, Russ credits the fans for the film’s longevity. Community screenings, classroom debates, and con conversations have kept Night of the Living Dead alive for generations, proving that independent horror thrives when audiences see themselves in the fear, the fallout, and the choices that define the living. If you love horror history, indie filmmaking, or the story behind enduring cult cinema, you’ll find plenty to chew on here. If this conversation hits home, follow the show, share it with a friend, and leave a quick review—what keeps Night of the Living Dead alive for you?

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SPEAKER_02:

Samfish the fishbowl here at Living Dead Weekend 2024 at the Robo Mall with the infamous Russ Rider. On the fishbowl once again. How are you doing? I'm doing excellent. Good. It's been a great weekend. Seeing all the things come out.

SPEAKER_01:

This has become a very, very popular gathering, and I'm so glad to be participating. I'm glad it gives me a chance to talk with you again. Exactly. Yeah. So how have you been doing? Excellent.

SPEAKER_02:

I should do energy and music. Right, right. We'll call it the Red Spiner Bowl.

SPEAKER_01:

There you go. There you go. So what have you been up to?

SPEAKER_02:

Trying to get the crystal off the ground. I should say out of the bowl. There you go.

SPEAKER_01:

Well, do you does the fish bowl have any questions that I might be able to answer about medical death?

SPEAKER_02:

Um hopefully. Obviously, there was a lot that went in the shooting. Um short shoot, I was able to figure it out.

SPEAKER_01:

Actual production days, 30 days. 30 days broken up into two 15 day parcels. Okay. Because at the same time we were making Night of the Living Dead, the production company still had commercial customers that needed to be taken care of, so we had to interrupt our movie production schedule, take care of business, seat groceries on the top.

SPEAKER_02:

Right, right. And is it true that after the film was basically cut together, boards grow from like back and forth from like dispersion to to have a screen and we when we started the sales part of it and uh tried to round up the distributor, uh we it is true that Georgia the first trip we made to call and distributor was April 4th, August 16th.

SPEAKER_01:

And that unfortunate day was the same day as we were driving on a Pennsylvania. Every brother that he announced really important. So it was that that certainly took the tragedy took his toll on not only the nation, uh, but we were trying to digest that information in terms of what was it going to mean now? Here we are, it's 1967. We have a black man who is lead in our movement. Um what what effect you know is it gonna have not only tragedy that fallen the nation, what impact was it gonna have on our little film that we just done? Right. So it's it certainly did put uh uh an additional challenge into the trip. Um but as we now know uh Night of the Living Dead is going on to survive uh not only the 60s, but the 70s and the 80s and the 90s, and here we are at 2024. Right, still talking about it. Still talking about it.

SPEAKER_02:

Yeah, and obviously, you know, the the the effect of having Dwayne John the lead really made that film. And the thing that I I love about Georgia's zombie films is that you know the zombies are there, but there's a bigger cultural message. American flags. Absolutely, yeah. And and I I think with you know staying back.

SPEAKER_00:

So we have that on t-shirt and hoodies as well.

SPEAKER_02:

Um, a t-shirt for five years. Probably created a much more uh substantial impact has the time uh than obviously had a long-lasting uh impression as possible.

SPEAKER_01:

Well, it it certainly has done that, but we can't take credit for that. The fans take care of that. That's all that credit goes for the fans because we made the best movie that we could make at the time with the budget that we had, and trying to use our wits and imagination to do our first what we refer to as our real movie. A movie go to a movie theater and see. But beyond that, it's been the fan base that has kept it going now for uh well this October it will be how many years now? That's uh I've I've I've I've lost the track of 56 feet. Which you know it's weird, but I have to say that there are not many cards that have existed for that long for many times that are still going. I mean, with all due respect to Citizen Kane, for example. Right, right. When is the last time you saw Citizen Cain Twitter? Right, right.

SPEAKER_02:

I I guess we did something right. Right, right. I mean you know, I I went to Point Park with Steve Riding, and one of the first semester classes I took was studying and obviously watched it. Um I had already seen it, and ironically, um I had already seen most of the films that they uh they showed in the class. Yes. And I was kind of older when I went there to still all like the students kind of walked around me because like I I knew all the stuff that had had connections with uh podcasts or goes. We were the local folks. I remember when um to watch uh Doctor's translation. And and none of my like fellow students had heard of that film or seen that when we when we when they said we were gonna watch it, I said you have read it. This film, it it's I mean in my personal opinion, I I think my three top favorites have the things of Flockwork Lines and Formetto Jazz. I like The Shining. Um I might get you know afterwards, but I actually tend to prefer Stephen King's uh minister than he did of Steven Weber and the back of the second story during the last time. Risky Digits. Uh-huh. Yeah. Um and um I I prefer that one over standing three now. Um I will say that I think the standing through what you know is scary. Uh the music, obviously the score. The score everyone. Absolutely. It makes the film and wouldn't have the same effect about the score. And I think the thing that really makes this shiny scare is the school. Uh but uh let's get back to uh Living Dead and Well, one more thing about um Doctor Strange life.

SPEAKER_01:

I think it's the only film ever in which a Coca-Cola machine was assassinated.

SPEAKER_02:

Right, right. And you know, Pierce Sellers, uh one of the greatest comedian comedians ever playing three different characters in the same movie, the first actor to ever do that. Yeah, you know, uh way before Eddie Murphy, Missio Hall, and you know, Mike Myers. Right. Um that now you know outrageous characters. Yeah, yeah. And if if you go back and watch that that film today, I mean knowing what we know about the Cold War, and especially like that was at like the height of the Cold War. Like, I mean you had you had like you know the Crete Missile Crisis coming on, you know, and the way the movie ends. Yeah, absolutely. Right, right.

SPEAKER_00:

We don't want to give anything away.

SPEAKER_02:

Right, right, right. If you have not seen Doctor Strange Love or any of Hooper's films, uh check them out.

SPEAKER_01:

Gentlemen, you can't fight here. This is the war.

SPEAKER_02:

I I actually learned piece of trivia with with Dr. Strange Love when George C. Scott uh like gets out of the seat and like stumbles and falls and then gets back up. That that apparently was like that that he actually tripped and then got back off and they kept it in the scene. And and I also had a class at Plum Park with uh uh my fabulous teacher and advisor, Steve Cuban. And um it was like we had to pick a scene from a movie and uh basically reenact it and direct the scene with like two actors from the class and everybody uh did something with everybody else. And uh I originally wanted to do a scene from the frame club where um Peter Sellers was talking with um Colonel about uh uh you know rainwater and all that, and I was like looking up the script and I couldn't find anywhere in the world. And it dawned on me, but that was all ad-lived, yeah. Yeah.

SPEAKER_01:

Sometimes the best lines come from.

SPEAKER_02:

Right, right, right.

SPEAKER_01:

Well, you said you wanted to get back to Night of the Living Dead.

SPEAKER_02:

Yes, let's let's get back to that.

SPEAKER_01:

One of the most famous lines in that Night of the Living Dead that was ad-lived was yeah, they're dead, they're almost dead. That was an ad-lived line. The Johnny line of coming to get to Bob is not exactly the way it was written. I modified it a little bit, but it was not ad-lived. It's not like, yeah, they're dead, they're all messed up.

SPEAKER_02:

Awesome, awesome. Well, Russ, thank you so much for taking the time to swim in the bowl with me again. Absolutely, Sam. It was a pleasure talking with you, and thank you for uh thank you, and thank all of you who are tuned in to this.

SPEAKER_01:

If you find it a bit nonsensical, that's what it's intended to be. Swimming in Sam's fishbowl.

SPEAKER_02:

Awesome. I hope the temperature was just right. It was. Excellent, thank you so much. Restrainer, everyone.

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